Artist Statement

In these acrylic, abstracted, impressionist paintings, I am covering my cystic, bruised and scared skin with that of another living thing, often with its own parade of interlopers on its flesh. With all their simple imperfections, these trees helped me turn my past work into something more realized. A layer of human shame hidden beneath yet providing so much to nature and its unabashed pride. The tarnished flesh becomes the beauty of the bark, the landscape, the light. The Viewer doesn’t necessarily need to know my journey, or about the under-paintings of red and pink splotches with built up bumps, to appreciate the recognizable painting that lives on the surface- but that is where they come from. Creating these tree-scapes was my excursion of power to look back at a time when I was deeply unhappy in my skin and morph it into the new life I also created. To confront and accept the girl who painted the old work and invite her to have a say in my current, happier life. A life filled with countless precious moments spent outside, breathing in the woods with my daughter. To let go of the despair and self-obsession imbedded previously and insist upon tranquility and hope, feelings that are immensely important to a new parent.

Artist Bio

Emily Glasser is a 33 year old stay at home mom and artist who returned to creating in earnest at the start of 2026 when she began painting tree-scapes over a previous series of non-objective abstractions she created in 2021. The former series was based on her own flesh, the skin of her face was covered in bruised, loud cystic acne. While working with these old pieces, Emily realized she was healing a part of herself by turning her past trauma into something as beautiful and natural as bark on a tree. Graduate of Montserrat College of Art with her BFA in Painting, Emily’s fascinations materialize through abstract impressionisms on canvas, paper and sculpture. Her current artistic focus remains in the trees she finds herself surrounded by in Shirley, Massachusetts where she lives with her husband, her daughter, and her Bernese Mountain Dog. Emily has expanded into making her own paper to paint her trees on, to continue exploring how the texture underneath informs and lends to the paint atop.

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Paintings